At Neon Gallery, three graffiti artists were invited to paint the gallery interior walls. I attached contact microphones and recorded the physical interaction between painters and surface. After four days of painting, the amplified microsounds of spray and brush strokes were allowed to remain in the space throughout the remaining six weeks of the exhibit, as a sonic background radiation from the historic battles that formed the space.

Listen to an excerpt:

See also the official exhibition web site.

2008	Neon Gallery, Brösarp, Sweden